Horror’s middle class is vanishing – and that’s bad news for all film fans
Once Hollywood’s most reliable cash cow, the horror genre has cratered at the box office this year, with audiences rejecting everything from ‘M3GAN 2.0’ to ‘Opus’ – putting undue pressure on the likes of this month’s ambitious chiller ‘Weapons’, writes Adam White. And its success – or lack thereof – will have consequences
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